Why tube amplifiers sound better than solid-state ones

Yes, yes, to be more precise I should’ve said: “Why tube amps sound different than solid-state ones”, but I used the word “better”, because lots of audiophiles prefer the tube (or tube-like) “euphonic” sound 😉 One of the usual explanations is even vs odd harmonics, but still it’s not clear why we prefer even harmonics.

These two excerpts make it clear:

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Universality vs Simplicity or PSAudio and The Bridge woes

In my mind universality and simplicity are mutually exclusive. I’m yet to find a system which is universal and simple to configure and use. Reliability and stability are assumed by default.

The simplicity of Apple devices is addictive. You add a new box and it gets automatically recognized. Everything just works like prescribed and defined by Apple. Then it’s a question of if this Procrustean bed fits you or not and if you are flexible enough to assume the offered model.

The idea of service/device discovery appeared in the late 90’s. For example, Sun’s Jini (1998) and UPnP (1999). It’s nice to have a standard to allow devices from different vendors work together, right? Sure, but here comes the reality. The Cisco interpretation of the Spanning Tree Protocol is different from the Foundry (now Brocade) one. If you place Cisco and Foundry switches/load balancers in one LAN, you may end up with a funny STP loop.

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Live vs conserved music or Lugansky vs Residentie Orkest
or Rachmaninoff and Socionics

We’ve just returned from this concert in The Hague:

Elgar, Enigma-variations Xian Zhang, conductor
Sergey Rachmaninov, Piano concert nr. 3 Nikolay Lugansky, piano, Xian Zhang, conductor.

Residentie Orkest The Hague Philharmonic

Mixed feelings and a helluva thoughts (Yeah, as always). OK, one by one…
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or Rachmaninoff and Socionics”

How to downmix 4 channels into 2

Or a quadraphonic record into a stereo one.

Le’s assume you have a bunch of files in one directory. The following script will downmix 4 channels into 2 with the following proportions:

  • LF => 100% LF
  • RF => 100% RF
  • LB => 100% LF
  • RB => 100% RF

and move the stereo files into a directory called “stereo”:

mkdir stereo
for file in $*
  sox -S -c4 "$file" -c2 stereo/"$file" mixer  1,1

If you want to change the front/back ratio to, for example:

  • LF => 100% LF
  • RF => 100% RF
  • LB => 70% LF
  • RB => 70% RF

the sox command will look like:

sox -S -c4 "$file" -c2 stereo/"$file" mixer  1,0.7

Finite Elemente – The Resonator

I’m a big fan of Finite Elemente creations. I had or still have Spider and Master Reference Pagode racks, Ceraballs, Cerapucs, Cerabases… All of them brought a great deal of enhancements in dynamics and resonance dumping. So I thought that The Resonator will definitely not hurt and hopefully bring me closer to There. The idea was to use it on top of the Transporter, which is known for its thin ringy tincan case. But considering the price (319-400EUR in Europe, $550-745 in the US) I decided to audition it first and borrowed one from my dealer.

From the description and ad campaigns:

  • Diameter: 120mm
  • Height: 30mm
  • Weight: 370g
  • Material: anodized aluminium (silver or black), stainless steel insert
  • The Resonator converts the resonance energy into heat across a broad band, instead of relocating its spectrum or generating new intrinsic like conventional attenuation of component cabinets, using mass blocks, for example.
  • Strategically placing the Resonator in a resonant zone on your component’s chassis, can reduce vibration by more than 20dB

This is what it looks like:

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Allman Brothers “Mountain Jam”

Just found a 2:42 video excerpt from the 33min gem (see audio only version below).

Gregg Allman – vocal and organ
Duane Allman (Yes! with Duane!) – slide guitar
Dicky Betts – lead guitar
Berry Oakley – bass
Jai Johanny Johanson – drums
Butch Trucks – drums
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